Schumann: Papillons, Op. 2
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- Composer: Robert Schumann (1810-1856)
- Instrumentation: Piano
- Work: Papillons, Op. 2
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 20
Description
According to Schumanns own statements in work catalogues and biographical notices, the first Papillon sketches were produced in his student days in Heidelberg in 1830. Apparently he had first planned to write a series of waltzes, whose models are to be found in the works of Carl Maria von Weber and Franz Schubert. The idea of a softly starting and softly ending chain of waltzes full of butterfly-like impulses was undoubtedly insprired by Webers famous Invitation to the Dance, Op. 65 (1821), which the 14-year-old Schumann had played in a school concert and traces of which are particularly noticeable in Papillon No. 10.
The present edition is based on the music text of the Gesamtausgabe of Robert Schumanns works, edited by Clara Schumann together with Johannes Brahms and others between 1879 and 1893. This publication is almost entirely free from arbitrary alterations in the text. A few obvious errors and unjustifiable alterations of the musical text were eliminated after a thorough comparison with the first edition and the autograph.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
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Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Schumann: Papillons, Op. 2
