Reincken: Complete Organ Works
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- Composer: Johann Adam Reincken (1643-1722)
- Editor: Pieter Dirksen
- Instrumentation: Organ, Keyboard, Harpsichord / Piano
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 84
- Urtext / Critical Edition
Description
Though he came from the Netherlands, Johann Adam Reincken spent his adult life working in Hamburg. Along with Dieterich Buxtehude, he was regarded as the leading authority in organ playing and organ building in the last decades of the 17th century. But unlike his friend Buxtehude, next to whom he was buried in Lübeck, Reincken preferred improvisation to written composition, and the harpsichord to the organ. The result: only very few organ works by Reincken have been transmitted.
At the center of the edition by Pieter Dirksen an expert in 17th-century music for keyboard instruments, who has recently become noted for his work on the Sweelinck Edition (EB 8741-44) are Reincken's two lengthy chorale fantasies, as was to be expected.
The volume also contains chorale-free pieces: next to the well-known Toccata in G Major and the Fugue in G Minor, there are three further toccatas for which stylistic and source-critical arguments make a case for Reincken's authorship. The extensive preface details the most recent scholarly findings on Reincken's biography and works, as well as on important questions of interpretation.
Works:
- An den Wasserflüssen Babylon
- Was kann uns kommen an für Not
- Toccata in G Major
- Toccata in G Minor
- Toccata in A Major
- Fugue in G Minor
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.