Choir Library for Women's and Children's Choir
Sacred & Secular Repertoire
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- Composers: Arnold Mendelssohn (1855-1933), Robert Schumann (1810-1856), Hector Berlioz (1803-1869), Jean Sibelius (1865-1957), Johannes Brahms (1833-1897), Moritz Hauptmann (1792-1868), Johann Nepomuk David (1895-1977), Cesar Bresgen, Hanns Eisler (1898-1962), Günter Raphael (1903-1960), Franz Schubert (1797-1828), Siegfried Strohbach (1929-2019)
- Instrumentation (this edition): SSAA Choir
- Originally for: Piano, SATB Choir, Orchestra, Harp, Horn I, Horn II, Children's Choir, Female Choir, Soprano I, Soprano II
- Work Language: German
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 296
Description
The Choir Library for Women's and Children's Choir invites browsing and discovering: Apart from Johannes Brahms, Robert Schumann and Franz Schubert, also lesser known composers like Arnold Mendelssohn, Hanns Eisler and Siegfried Strohbach are represented. The division into sacred and secular compositions as well as the sorting by genres and themes enable a fast locating and retrieving of the pieces. This also makes the usage of the volume by the whole choir a viable option in order to have a "basic repertoire" at hand. Last but not least, the small oeuvre for women's and children's choir can be purposefully complimented.
Works:
- A. Mendelssohn: Wach, Nachtigall, wach auf! from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: O Heiland, reiß die Himmel auf from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Es ist geborn ein Kindelein from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Uns ist geboren ein Kindelein from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Ein Kind geborn zu Bethlehem from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Ein Kind geborn zu Bethlehem (2nd version) from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Freut euch, ihr lieben Christen all from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Ein Kind ist uns geboren heut from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Ein Kind ist uns geboren heut (2nd version) from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: in einem Kripplein lag ein Kind from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Christum wir sollen loben schön from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: O Jesulein zart from Zwölf altdeutsche Weihnachtslieder (12 Old German Christmas Songs)
- A. Mendelssohn: Fröhlich soll mein Herze springen from 2 kleine Weihnachtsmotetten (2 Christmas Motets)
- A. Mendelssohn: Lasst uns eilen from 2 kleine Weihnachtsmotetten (2 Christmas Motets)
- Nos. 1- 3 from Brahms: 3 Sacred Choruses, Op. 37
- Brahms: Ave Maria, Op. 12
- Brahms: Psalm 13 (Herr, wie lange willst du mein so gar vergessen), Op. 27
- Schubert: Psalm 23 ("Gott ist mein Hirt"), D 706
- Hauptmann: Gebet, Op. 35, No. 3
- Raphael: Komm, heiliger Geist, erfuelle die Herzen
- Schubert: Quartet "Gott in der Natur", D 757, Op. posth. 133
- David: Kyrie from De Angelis, Op. 43
- David: Messe Werk 67
- Berlioz: Veni Creator, H 141
- Strohbach: Missa beatae Virginis (Mass of the Blessed Virgin)
- Brahms: Nos. 1-6 from 12 Songs and Romances, Op. 44
- Brahms: Nos. 7-12 from 12 Songs and Romances, Op. 44
- Schubert: Coronach (Totengesang der Frauen and Mädchen), D 836, Op. 52, No. 4
- Nos. 1- 4 from Brahms: Vier Gesänge (4 Songs), Op. 17
- R. Schumann: Nos. 1-3 from 3 Lieder for 3 Frauenstimmen, Op. 144
- Schubert: Ständchen, D 921
- R. Schumann: 3 Gedichte, Op. 29
- Bresgen: Nos. 1-5 from Die Ziege hat Zahnweh
- Eisler: 20 children songs from Woodbury-Liederbüchlein (Woodbury Songbook)
- Be still, my soul from Sibelius: Finlandia, Op. 26
- Strohbach: Tanz Rüber
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.