Chopin: A Selection of Easy Piano Pieces
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- Composer: Frédéric Chopin (1810-1849)
- Instrumentation: Piano
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 24
Description
Here you will find further pieces of easy piano music.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently.
When the aspiring pianist has dealt successfully with the works of Frederic Chopin for the first time, he will have left the elementary level of instruction behind. The following selection of "easy" pieces also requires security of technique and capability of musical expression in order to enable the florid sound of Chopin's piano music to unfold. As much as works like the Prelude in D-flat Major or the Waltz in A Minor may tempt one to premature endeavors, a study of Chopin's music should not be attempted too early.
In the following five Preludes, the two waltzes and the Nocturne in G Minor (six Mazurkas have been published in a separate folio), the editor has made a selection of pieces, which can be mastered by the pupil (with the exception of opus 28, No. 15 and opus 28, No. 20), even if a limited facility and finger stretch is present. Because of the finger stretch required for some chords, a different distribution of the hands has been indicated or simplifications have been suggested. An introduction to the "Tempo rubato", taking style into consideration, is a task lying within teacher's responsibility. Indications for pedal use were added by the editor.
Heinz Walter, Salzburg, Fall 1979
Works:
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.