Lourié: Formes en l'air
In stock and typically ships within 1 business day.
- Composer: Arthur Lourié (1892-1966)
- Instrumentation: Piano
- Work: Formes en l'air
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 12
Description
Lourié was one of the earliest Russian Futurists. He began composing with twelve-tone complexes as early as 1912, and in 1915 he published ideas for quarter-tone notation. "Formes en l'air," an archetype of graphic composition, is dedicated to Picasso.
These three miniatures reflect the harmonically austere style of the early experimental period, which was rich in dissonance and favoured the use of chordal combinations with half-tone tension. This early style evolved shortly thereafter in the direction of New Simplicity characterized by a new diatonicism and linearity, of which Lourié was also one of the forerunners.
The composer provided no information concerning tempo and interpetation of the Formes en l'air. Thus, in consideration of the otherwise so scrupulously indicated dynamics, it would seem that he deliberately left this question up to the performer. lt should not be forgotten, however, that Lourié was one of the earliest and most consequent representatives of the new sound ideal of objectivity and reduction: The Forms in the air should be performed transparently, not as a Scriabinesque sound ecstasy.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Lourié: Formes en l'air
