Russian Piano Music
Expected to ship in 1-2 weeks.
- Composers: Modest Mussorgsky (1839-1881), Sofia Gubaidulina (1931-), Mikhail Glinka (1804-1857), Valery Gavrilin (1939-1999), César Cui (1835-1918), Anton Rubinstein (1829-1894), Alexander Spendiaryan (Spendiarov) (1871-1928), Alexey Mylnikov, Viktor Kosenko (1896-1938), Dmitry Kabalevsky (1904-1987), Anatoly Lyadov (1855-1914), Pyotr Ilyich Tchaikovsky (1840-1893), Alexander Scriabin (1872-1915), Alexander Glazunov (1865-1936), Dmitri Shostakovich (1906-1975), Rodion Shchedrin (1932-), Samuel Maykapar (1867-1938), Nikolai Rimsky-Korsakov (1844-1908)
- Editor: Linde Großmann
- Instrumentation: Piano
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 88
Description
Glinka and Gubajdulina are the chronological cornerstones featured on the cover. But in between, youll find well-known composers (Mussorgsky, Rimsky-Korsakov, Glazunov, Scriabin, Kabalevsky, Shostakovich) and exciting new discoveries (Gravilin, Kossenko, Mylnikov). The result is a well-sorted mixture of "Russian Piano Music." Russia, a land with a long pianistic tradition, is presented here in a multi-faceted way with a compelling assortment of pieces. The subtitle "Play-Experience-Enjoy" also keeps its promise: these 24 pieces, ranging from easy to moderately difficult, are supplied with extensive comments of special interest to piano teachers by the renowned pedagogue Linde Großmann.
This edition comes with an insert of commentary on each piece in both German and English.
Works:
- Mylnikov: Invention No. 16
- Etude, No. 3 from Kabalevsky: 30 Children's Pieces, Op. 27
- Scherzo, No. 14 from Kabalevsky: 30 Children's Pieces, Op. 27
- Shostakovich: Fantastic Dance, Op. 5, No. 1
- Gavrilin: Tchastushka
- Gubaidulina: Forest Musicians
- Kosenko: Rain, Op. 15, No. 14
- Maykapar: Fughetta, Op. 8
- Glazunov: Miniature
- Shchedrin: Chordal Inversions
- Glinka: Mazuka in C Major (Мазурка) (1852)
- Glinka: Variations on a Russian Song (Вариации на русскую песню «Среди долины ровныя») (1826)
- Mussorgsky: Tear (Könnycsepp)
- Cui: Waltz, Op. 31, No. 2
- Rubinstein: Hallali
- Rimsky-Korsakov: Prélude-Impromptu, Op. 38
- Rimsky-Korsakov: Romance, Op. 15, No. 2
- Spendiaryan (Spendiarov): Lullaby, Op. 3, No. 2
- Lyadov: Prélude, Op. 46, No. 2
- Lyadov: Prélude, Op. 46, No. 3
- Prélude in A Minor, No. 2 from Scriabin: 24 Préludes, Op. 11
- Tchaikovsky: Chanson triste, ČW 137, Op. 40, No. 2
- Tchaikovsky: Chant sans paroles, ČW 141, Op. 40, No. 6
- Tchaikovsky: Waltz, ČW 144, Op. 40, No. 9
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Russian Piano Music
