B. Heller: Intervallbuch for Piano
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- Composer: Barbara Heller (1936-)
- Instrumentation: Piano
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 60
Description
Barbara Heller had already tackled the challenge of writing short piano pieces around a specific interval in her Playing with Fifths for Piano. Now, in her "Intervallbuch", she applies this concept to the other intervals and has produced four or five pieces each for the second to the octave, and arranged them in order of progressive difficulty.
The little pieces are as delightful as their evocative titles, such as "Die schüchterne Sekunde" (The Shy Second), "Die faule Terz" (The Lazy Third), "Sextenblues" (Sixth Blues) and "Wo will die Septime hin?" (Where is the Seventh Going?). But there is much more: Sigrid Naumann's accompanying texts encourage players to treat the notated material freely, to vary it, to improvise upon it and to contribute original compositional ideas.
- I Sekunde | 1 Die schüchterne Sekunde
- I Sekunde | 2 Die Sekunde taucht auf and versinkt
- I Sekunde | 3 Die kecke Sekunde ? Ein Sekunden-Ballett
- I Sekunde | 4 Sekundentrip
- I Sekunde | 5 Ganztonschritte
- II Terz | 6 Die faule Terz
- II Terz | 7 Rätsel
- II Terz | 8 Der Grashüpfer
- II Terz | 9 Terzenballade
- II Terz | 10 Terzenkette
- III Quarte | 11 Kleine Quartentoccata
- III Quarte | 12 Die fröhliche Quarte
- III Quarte | 13 Sommerregen
- III Quarte | 14 Quartenlied ? Quarte schwelgend
- III Quarte | 15 Quarten minimal
- IV Quinte | 16 Kleiner Quintenwalzer
- IV Quinte | 17 Montagsblume für Isolde
- IV Quinte | 18 Trauerwalzer
- IV Quinte | 19 Hommage à Wally Karveno ? Petit valse de quintes
- V Sexte | 20 Sextenparallelen
- V Sexte | 21 Terz-Sexten-Walzer
- V Sexte | 22 Die Sexte genießt den Klang
- V Sexte | 23 Sextenblues
- VI Septime | 24 Der große Schritt
- VI Septime | 25 Septimenwalzer -VI Septime | 26 Septime and Sekunde im Dialog
- VI Septime | 27 Wo will die Septime hin?
- VII Oktave | 28 Oktav-Raum
- VII Oktave | 29 Klang-Traum
- VII Oktave | 30 Oktaven in Bewegung
- VII Oktave | 31 Hommage à Eric Satie
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
B. Heller: Intervallbuch for Piano
