Choir Library for Mixed Choir - Sacred Repertoire Volume 3 (Trinity to Eternity Sunday)
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- Composers: Giovanni Pierluigi da Palestrina (1525-1594), Claudio Monteverdi (1567-1643), Arnold Mendelssohn (1855-1933), Johann Nepomuk David (1895-1977), Johann Christoph Bach (1642-1703), Kurt Thomas (1904-1973), Carl Heinrich Graun (1704-1759), Günter Raphael (1903-1960), Franz Schubert (1797-1828), Reinhard Ohse, Max Reger (1873-1916), Peter Cornelius (1824-1874)
- Instrumentation: SATB Choir
- Work Language: German
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 372
Description
- Kurt Thomas | Kleine Geistliche Chormusik: 11. Die Gnade unsers Herrn
- Anonymus | Alta trinita beata
- Max Reger | Zwanzig Responsorien: 8. Wir loben den Vater and den Sohn
- Kurt Thomas | Kleine Geistliche Chormusik: 10. Wir wollen sing'n ein Lobgesang
- Giovanni Pierluigi da Palestrina | Lauda Sion Salvatorem
- Giovanni Pierluigi da Palestrina | Assumpta est Maria
- Claudio Monteverdi | Laudate, pueri, Dominum
- Claudio Monteverdi | Beatus vir, qui timet Dominum
- Kurt Thomas | Kleine Geistliche Chormusik: 19. Herr Gott, dich loben alle wir
- Kurt Thomas | Kleine Geistliche Chormusik: 12. Jauchzet Gott, alle Lande
- Kurt Thomas | Kleine Geistliche Chormusik: 13. Erhalt uns, Herr, bei deinem Wort
- Günter Raphael | Erhalt uns, Herr, bei deinem Wort 30, No. 2
- Johann Friedrich Doles | Ein feste Burg ist unser Gott
- Arnold Mendelssohn | Motette zum Reformationsfest 90, No. 14
- Martin Luther | Non moriar, sed vivam
- Andreas Hammerschmidt | Die mit Tränen säen
- Johann Bach | Unser Leben ist ein Schatten
- Georg Philipp Telemann | Rufe mich an in der Zeit der Not TWV 8:21
- Georg Philipp Telemann | Selig sind die Toten TWV 8:23
- Georg Philipp Telemann | Ich habe Lust abzuscheiden TWV 8:19
- Georg Philipp Telemann | Ich will schauen dein Antlitz TWV 8:20
- Johannes Brahms | Warum ist das Licht gegeben dem Mühseligen 74, No. 1
- Max Reger | Geistliche Gesänge, Op. 110: 1. Mein Odem ist schwach
- Max Reger | Geistliche Gesänge, Op. 110: 3. O Tod, wie bitter bist du
- Kurt Thomas | Kleine Geistliche Chormusik: 5. Niemand hat größere Liebe
- Johann Nepomuk David | Mitten wir im Leben sind mit dem Tod umfangen
- Johann Nepomuk David | Ich wollt, daß ich daheime wär
- Johann Nepomuk David | Der Gerechten Seelen sind in Gottes Hand
- Günter Raphael | Vom jüngsten Gericht 30, No. 1
- Reinhard Ohse | Acht kleine Motets im Kirchenjahr: Trostlied am Totensonntag
- Giovanni Pierluigi da Palestrina | Tu es Petrus
- Claudio Monteverdi | Nisi Dominus aedificaverit domum
- Carl Heinrich Graun | Herr, ich habe lieb die Stätte deines Hauses
- Kurt Thomas | Kleine Geistliche Chormusik: 16. Herr, ich habe lieb die Stätte deines Hauses
- Johann Christoph Bach | Fürchte dich nicht
- Kurt Thomas | Kleine Geistliche Chormusik: 17. Fürchte dich nicht
- Kurt Thomas | Kleine Geistliche Chormusik: 18. Wenn ich mit Menschen- and mit Engelzungen redete
- Peter Cornelius | Requiem "Seele, vergiß sie nicht"
- Franz Schubert | Begräbnislied D 168
- Max Reger | Zwanzig Responsorien: 16. Haben wir Gutes empfangen von Gott
- Max Reger | Zwanzig Responsorien: 17. Ich weiß, daß mein Erlöser lebet
- Max Reger | Zwanzig Responsorien: 18. Denn so wir glauben, daß Jesus gestorben and auferstanden ist
- Max Reger | Zwanzig Responsorien: 19. O sieh, wie der Gerechte stirbt
- Max Reger | Zwanzig Responsorien: 20. Ich will in Frieden mich niederlegen zum Schlaf
- Kurt Thomas | Kleine Geistliche Chormusik: 14. Herr, sei mir gnädig
- Kurt Thomas | Kleine Geistliche Chormusik: 15. Gott wird abwischen alle Tränen
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.