Thomas: Sacred Choral Music, Op. 25
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- Composer: Kurt Thomas (1904-1973)
- Format: Choral Score
- Instrumentation: SATB Choir
- Work: Kleine Geistliche Chormusik, Op. 25
- Work Language: German
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 112
Description
Kurt Thomas's Kleine Geistliche Chormusik is a collection of 20 motets that covers the whole of the liturgical year from Advent until Remembrance Day, including church-related occasions such as marriage, consecration day and funeral. Most motets are composed for four-part choir a cappella, some of them, however, are accompanied by organ, violin and/or flute. Nos. 2 and 5 are also scored for soprano solo and No. 18 for baritone (ad lib.). The exact scoring is often kept open since Thomas as a choirmaster knew about locally differing resources. Regular divisions of the choir into two or even three individual parts, however, seem to call for an appropriate number of singers. The often-quoted Lutheran chorales appear for instance in the form of a cantus firmus or in unison, giving the opportunity of including the congregation in liturgical usage. The performance in concert, however, can also be rewarding by emphasizing the diversity and suspenseful contrasts of this music. The new edition combines all previous single editions in a modern and easy-to-read engraving image.
- Machet die Tore weit | Advent
- Daran ist erschienen die Liebe Gottes | Christmas
- Ist Gott for uns | New Year
- Mache dich auf, werde licht | Advent and Epiphany
- Niemand hat größere Liebe | Remembrance Day
- Fürwahr, er trug unsre Krankheit | Passion
- Der Tod ist verschlungen in den Sieg | Easter
- Gott fähret auf mit Jauchzen | Ascension Day
- Schmücket das Fest | Pentecost
- Wir wollen sing'n ein Lobgesang | St. John's Day
- Die Gnade unsers Herrn | Trinity Sunday
- Jauchzet Gott, alle Lande | Harvest Festival
- Erhalt uns, Herr, bei deinem Wort | Reformation Day
- Herr, sei mir gnädig | Day of Repentance
- Gott wird abwischen alle Tränen | Funeral
- Herr, ich habe lieb die Stätte deines Hauses | Consecration Day
- Fürchte dich nicht | Confirmation
- Wenn ich mit Menschen- and mit Engelzungen redete | Marriage
- Herr Gott, dich loben alle wir | Michaelmas
- Nun freut euch, lieben Christen g'mein | Cantate Sunday
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.