Bach: Complete Organ Works - Volume 4 (Toccatas and Fugues / Individual Works)
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- Composer: Johann Sebastian Bach (1685-1750)
- Editor: Jean-Claude Zehnder
- Instrumentation: Organ
- ISMN:
- Size: 12.6 x 9.8 inches
- Pages: 184
- Urtext / Critical Edition
Description
In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. of particular interest in this book is the Canzona in d BWV 588. Written before 1707, this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments, fingerings and a closing cadenza; this version is printed in the Appendix. Similarly, the print of the early version of the Passacaglia BWV 582 is likely to meet with great interest.
Online you will find early versions, further ornamented versions, and pieces that can no longer be attributed to Bach as the Kleines harmonisches Labyrinth BWV 591 and the Prelude in G BWV 568.
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- Toccata in C BWV 564
- Toccata et Fugue in d BWV 538 (early and ornamented version) (online)
- Toccata et Fugue in d BWV 565
- Toccata et Fugue in F BWV 540
- Passacaglia in c BWV 582 (ornamented version) (online)
- Passacaglia in c BWV 582 (early version)
- Sonata in D BWV 963
- Allabreve in D BWV 589
- Canzona in d BWV 588 (ornamented version with fingering in the appendix)
- Capriccio (in honorem Johann Christoph Bachii) BWV 993 (ornamented version and version in F) (online)
- Pastorella BWV 590
- Pièce d'Orgue à 5 BWV 572
- Pièce d'Orgue à 5 BWV 572 (early version) 14.Pièce d'orgue à 5 BWV 572 – ornamented version (online)
- Praeludium in a BWV 569
- Pedal-Exercitium BWV 598 (in the appendix)
- Kleines harmonisches Labyrinth BWV 591 (authorship unproven) (online)
- Prelude in G BWV 568 (authorship unproven) (online)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.