Choir Library for Mixed Choir - Sacred Repertoire Volume 4 (Motets & Sacred Songs)
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- Composers: Giovanni Pierluigi da Palestrina (1525-1594), Claudio Monteverdi (1567-1643), Max Reger (1873-1916), Siegfried Thiele, Johannes Brahms (1833-1897), Johann Christoph Altnikol, Johann Nepomuk David (1895-1977), Andreas Hammerschmidt (1612-1675), Kurt Thomas (1904-1973), Heinrich Schütz (1585-1672), Carl Heinrich Graun (1704-1759), Jürg Baur (1918-2010), Felix Mendelssohn (1809-1847)
- Instrumentation: SATB Choir
- Work Language: German
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 352
Description
- Claudio Monteverdi | Domine, ne in furore tuo
- Claudio Monteverdi | Christe, adoramus te
- Claudio Monteverdi | Adoramus te, Christe
- Andreas Hammerschmidt | Sei gegrüßet, Jesu, mein Heiland
- Carl Heinrich Graun | Lasset uns aufsehen auf Jesum
- Carl Heinrich Graun Lasset uns freuen and fröhlich sein
- Carl Heinrich Graun | Selig sind, die zum Abendmahl des Lammes berufen sind
- Felix | Der 2. Psalm "Warum toben die Heiden" MWV B 41 78, No. 1
- Johannes Brahms | Drei Motets, Op. 110: 1. Ich aber bin elend
- Johannes Brahms | Drei Motets, Op. 110: 2. Ach, arme Welt, du trügest mich
- Johannes Brahms | Drei Motets, Op. 110: 3. Wenn wir in höchsten Nöten sein
- Max Reger | Geistliche Gesänge, Op. 110: 2. Ach, Herr, strafe mich nicht
- Johann Nepomuk David | Wer Ohren hat, zu hören, der höre Werk 23,1
- Johann Nepomuk David | Und ich sah einen neuen Himmel Werk 23,2
- Johann Nepomuk David | Die Welt ist Gottes Haus Werk 34,1
- Johann Nepomuk David | Empfangen and genährt Werk 34,2
- Kurt Thomas | Psalm 137 "An den Wassern zu Babel", Op. 4
- Jürg Baur | Die Blume des Scharon: 1. Oh sieh, wie schön Du bist
- Jürg Baur | Die Blume des Scharon: 2. Ich bin die Blume des Scharon
- Jürg Baur | Die Blume des Scharon: 3. Denn ich vergehe vor Liebe
- Heinrich Schütz | Der 100. Psalm "Jauchzet dem Herren, alle Welt" SWV 493
- Johann Sebastian Bach | Sei Lob and Preis mit Ehren BWV 28/2a
- Johann Christoph Altnikol | Nun danket alle Gott
- Felix | Der 100. Psalm "Jauchzet dem Herrn alle Welt" MWV B 45
- Felix | Jauchzet dem Herrn alle Welt MWV B 58 69, No. 2
- Johannes Brahms | Fest- and Gedenksprüche, Op. 109: 1. Unsere Väter hofften auf dich
- Johannes Brahms | Fest- and Gedenksprüche, Op. 109: 2. Wenn ein starker Gewappneter
- Johannes Brahms | Fest- and Gedenksprüche, Op. 109: 3. Wo ist so ein herrlich Volk
- Siegfried Thiele | Motette "O großer Gott!"
- Giovanni Pierluigi Palestrina | Ave, mundi spes, Maria
- Carlo Gesualdo | Sacrae Cantiones: Ave, dulcissima Maria
- Franz Liszt | Rosario
- Johannes Brahms | Marienlieder, Op. 22: 1. Der englische Gruß
- Johannes Brahms | Marienlieder, Op. 22: 2. Marias Kirchgang
- Johannes Brahms | Marienlieder, Op. 22: 3. Marias Wallfahrt
- Johannes Brahms | Marienlieder, Op. 22: 4. Der Jäger
- Johannes Brahms | Marienlieder, Op. 22: 5. Ruf zur Maria
- Johannes Brahms | Marienlieder, Op. 22: 6. Magdalena
- Johannes Brahms | Marienlieder, Op. 22: 7. Marias Lob
- Max Reger | Maria, Himmelsfreud'
- Franz Schubert | Gebet "Du Urquell aller Güte" D 815, Op. posth. 139
- Franz Schubert | Gott im Ungewitter D 985, Op. posth. 112,1
- Franz Schubert | Gott, der Weltschöpfer D 986, Op. posth. 112,2
- Franz Schubert | Hymne an den Unendlichen D 232, Op. posth. 112,3
- Johannes Brahms | Geistliches Lied, Op. 30
- Rudolf Mauersberger | Geh aus, mein Herz, and suche Freud: 1. Geh aus, mein Herz
- Rudolf Mauersberger | Geh aus, mein Herz, and suche Freud: 2. Herr, wenn ich dich anrufe
- Rudolf Mauersberger | Geh aus, mein Herz, and suche Freud: 3. Komm, lass uns gehen
- Rudolf Mauersberger | Geh aus, mein Herz, and suche Freud: 4. Schönster Herr Jesu
- Rudolf Mauersberger | Geh aus, mein Herz, and suche Freud: 5. Ich bin das Brot des Lebens
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Choir Library for Mixed Choir - Sacred Repertoire Volume 4 (Motets ...
