The Bassoon - Volume 2
Expected to ship in 1-2 weeks.
- Authors: Günter Angerhöfer, Werner Seltmann
- Instrumentation: Bassoon
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 196
Description
The six-volume tutorial series "The Bassoon" provides a comprehensive introduction to the instrument and its way of playing by combining textual commentaries with music sections. Addressed to both hobby musicians and aspiring professional musicians, the bilingual German-English edition is suitable for use internationally.
Since the series is designed to meet student needs by progressing in difficulty, it is optimally suited to support the different learning stages.
The textual commentaries in volumes I to III and VI are easy to consult, providing wide-ranging information about the bassoon as an instrument, its history, structure and maintenance, but also about its playing technique. The practical section consists of 90 self-contained lessons within the first three volumes and includes tone studies, technical studies, and three etudes each. The fourth volume contains bassoon duets, and the fifth volume presents compositions for bassoon and piano, both from the 17th to the 20th centuries, graded, like the etudes, according to difficulty. Volume VI focuses on the contrabassoon.
The second volume follows the first with lessons 37 to 66. Based on the fundamental knowledge about the bassoon and its way of playing already acquired, the text section now increasingly turns to musical interpretation, detailing, accordingly, aspects of phrasing, tempo, meter, dynamics, agogics, articulation, and ornamentation. The lessons are analogous to those of the first volume, consisting of tone studies, scales, technical studies and three exercises each. Since the volume builds on the previous one, it is aimed at more advanced students. A detailed fingering chart is attached, representing not only the standard and alternative fingerings but also those for trills, tremoli, and flageolet tones.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
The Bassoon - Volume 2
