Caecilia: 100 Compositions
Expected to ship in 1-2 weeks.
- Instrumentation: Organ
- ISMN:
- Size: 12.0 x 9.1 inches
- Pages: 124
Description
Music pieces of various characters from the works of older and newer composers
- Georg Joseph Vogler | Con moto | (Tonstücke in Dur)
- Chr. Brenker | Allegro | (Tonstücke in Dur) 3., K. Kühn | Vor- or Nachspiel über den Choral: Jesus meine Zuversicht | (Tonstücke in Dur)
- Carl Schweich | Fughetta | (Tonstücke in Dur)
- Ed. Vogt | Allegro maestoso | (Tonstücke in Dur)
- Carl Schweich | Postludium | (Tonstücke in Dur)
- Johann Christian Kittel | Postludium | (Tonstücke in Dur)
- Karl Heinrich Zöllner | Andante | (Tonstücke in Dur)
- Incert | Adagio | (Tonstücke in Dur)
- J. Bernards | Andante | (Tonstücke in Dur)
- Johann Georg Frech | Larghetto cantabile | (Tonstücke in Dur)
- Johann Sebastian Bach | Allegro | (Tonstücke in Dur)
- Johann Christoph Kellner | Doppelfuge | (Tonstücke in Dur)
- Incert | Postludium | (Tonstücke in Dur)
- Christian Heinrich Rinck | Postludium | (Tonstücke in Dur)
- Christian Heinrich Rinck | Cantabile | (Tonstücke in Dur)
- Johann Georg Adam | Fughetta aus, Op. 9 | (Tonstücke in Dur)
- C. Steinhauer | Andante grazioso | (Tonstücke in Dur)
- Luigi Cherubini | Fugue | (Tonstücke in Dur)
- Otto Dienel | Choralvorspiel | (Tonstücke in Dur)
- Johann Wilhelm Häßler | Postludium | (Tonstücke in Dur)
- C. Geißler | Prelude and Fugue | (Tonstücke in Dur)
- Josef Rheinberger | Abendfriede | (Tonstücke in Dur)
- Michael Gotthard Fischer | Adagio | (Tonstücke in Dur)
- C. F. Rudolph | Andante | (Tonstücke in Dur)
- Johann Christian Kittel | Moderato | (Tonstücke in Dur)
- J. Bernards | Moderato | (Tonstücke in Dur)
- Christian Heinrich Rinck | Prelude and Fugue | (Tonstücke in Dur)
- Wilhelm Valentin Volckmar | Andantino aus, Op. 50 | (Tonstücke in Dur)
- Karl Kühn | Con moto | (Tonstücke in Dur)
- Chr. Brenker | Andante | (Tonstücke in Dur)
- Josef Rheinberger | Andante | (Tonstücke in Dur)
- Adolph Hesse | Prelude | (Tonstücke in Dur)
- Michael Gotthard Fischer | Adagio | (Tonstücke in Dur)
- C. Steinhauer | Andante espressivo | (Tonstücke in Dur)
- Christian Heinrich Rinck | Moderato | (Tonstücke in Dur)
- Jacques-Nicolas Lemmens | Flöten-Solo | (Tonstücke in Dur)
- Johannes Plag | Postludium | (Tonstücke in Dur)
- Johann Sebastian Bach | Moderato | (Tonstücke in Dur)
- Christian Heinrich Rinck | Postludium | (Tonstücke in Dur)
- Georg Friedrich Handel | Larghetto | (Tonstücke in Dur)
- Gustav Adolf Merkel | Pastorale | (Tonstücke in Dur)
- Justin Heinrich Knecht | Fughetta | (Tonstücke in Dur)
- Johann Evangelist Habert | Fugue | (Tonstücke in Dur)
- Johann Ludwig Krebs | Fugue | (Tonstücke in Dur)
- Christian Heinrich Rinck | Andante | (Tonstücke in Dur)
- Michael Gotthard Fischer | Con moto | (Tonstücke in Dur)
- Karl Heinrich Zöllner | Tempo giusto | (Tonstücke in Dur)
- Johann Sebastian Bach | Fugue | (Tonstücke in Dur)
- Edgar Tinel | Andante sostenuto | (Tonstücke in Dur)
- Carl Schweich | Adagio | (Tonstücke in Dur)
- Johann Gottfried Vierling | Moderato | (Tonstücke in Dur)
- G. A. Thomas | Trio | (Tonstücke in Dur)
- Ernst Friedrich Richter | Adagio aus, Op. 19 | (Tonstücke in Dur)
- Christian Heinrich Rinck | Prelude | (Tonstücke in Dur)
- Christian Heinrich Rinck | Andante | (Tonstücke in Moll)
- Ed. Vogt | Siciliano | (Tonstücke in Moll)
- August Todt | Festpräludium | (Tonstücke in Moll)
- Christian Heinrich Rinck | Moderato | (Tonstücke in Moll)
- Johannes Plag | Fugue | (Tonstücke in Moll)
- Gustav Adolf Merkel | Moderato | (Tonstücke in Moll)
- Christian Heinrich Rinck | Andante | (Tonstücke in Moll)
- Christian Heinrich Rinck | Moderato | (Tonstücke in Moll)
- Johann Georg Herzog | Moderato | (Tonstücke in Moll)
- Johann Adolf Troppmann | Con moto | (Tonstücke in Moll)
- Peter Piel | Trio | (Tonstücke in Moll)
- Peter Piel | Moderato | (Tonstücke in Moll)
- Ernst Friedrich Richter | Prelude | (Tonstücke in Moll)
- Christian Heinrich Rinck | Fugato | (Tonstücke in Moll)
- Carl Philipp Emanuel Bach | Fugue | (Tonstücke in Moll)
- Christian Heinrich Rinck | Maestoso | (Tonstücke in Moll)
- Incert | Maestoso | (Tonstücke in Moll)
- Johann Adolf Troppmann | Andante | (Tonstücke in Moll)
- Incert | Andante | (Tonstücke in Moll)
- Georg Andreas Sorge | Fughetta | (Tonstücke in Moll)
- Johann Ernst Eberlin | Prelude | (Tonstücke in Moll)
- Christian Heinrich Rinck | Moderato | (Tonstücke in Moll)
- Arnold Joseph Monar | Trio | (Tonstücke in Moll)
- Arnold Joseph Monar | Prelude and Fughetta | (Tonstücke in Moll)
- Carl Heinrich Graun | Fugue | (Tonstücke in Moll)
- Christian Heinrich Rinck | Adagio cantabile | (Tonstücke in Moll)
- Wilhelm Dyckerhoff | Postludium | (Tonstücke in Moll)
- Christian Heinrich Rinck | Prelude and Fugue | (Tonstücke in Moll)
- Johann Ludwig Krebs | Fugue | (Tonstücke in Moll)
- Johannes Plag | Jonischer Ton | (Tonstücke in alten Kirchentonarten)
- Peter Piel | Dorischer Ton | (Tonstücke in alten Kirchentonarten)
- Arnold Joseph Monar | Phrygischer Ton | (Tonstücke in alten Kirchentonarten)
- Johannes Plag | Lydischer Ton | (Tonstücke in alten Kirchentonarten)
- M. Blum | Mixolydischer Ton | (Tonstücke in alten Kirchentonarten)
- Arnold Joseph Monar | Aeolischer Ton | (Tonstücke in alten Kirchentonarten)
- Christian Heinrich Rinck | Maestoso; Hymne "Preis and Anbetung" | (Transkriptionen)
- Joseph Haydn | Allegro moderato; Chor "Die Himmel erzählen" aus der "Schöpfung" | (Transkriptionen)
- Georg Friedrich Handel | Larghetto; Arie "Er weidet seine Herde" aus dem "Messias" | (Transkriptionen)
- Robert Schumann (Übertragung durch Sigfrid Karg-Elert) | Abendlied | (Transkriptionen)
- Wolfgang Amadeus Mozart | Andante; "Ave verum corpus" | (Transkriptionen)
- Georg Friedrich Handel | Maestoso; Siegeschor "Seht, er kommt" aus "Judas Makkabäus" | (Transkriptionen)
- Jean Sibelius | Hymne aus "Finlandia" | (Transkriptionen)
- Carl Reinecke | Andante; Vorspiel zum 5. Akte aus "König Manfred" | (Transkriptionen)
- Georg Friedrich Handel | Grave; Ouvertüre zum "Messias" | (Transkriptionen)
- Georg Friedrich Handel | Moderato; Chorfuge "Durch seine Wunden" aus dem "Messias" | (Transkriptionen)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Caecilia: 100 Compositions
