Choir Library for Men's Choir
Sacred & Secular Music
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- Composers: Fanny (Mendelssohn) Hensel (1805-1847), Othmar Schoeck (1886-1957), Robert Schumann (1810-1856), Jean Sibelius (1865-1957), Albert Lortzing (1801-1851), Siegfried Thiele, Johann Nepomuk David (1895-1977), Franz Schubert (1797-1828), Felix Mendelssohn (1809-1847)
- Instrumentation: Male Choir
- Work Language: German
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 368
Description
- Felix | Wie selig sind die Toten MWV B 28 (115, No. 1)
- Felix | Es strahlen hell die Gerechten MWV B 29 (115, No. 2)
- Johann Nepomuk David | Spruch von Angelus Silesius 'Mensch, werde wesentlich'
- Johann Nepomuk David | Drei Saetze: 1. Das Freundlichste nach Gott
- Johann Nepomuk David | Drei Saetze: 2. Die Rose blueht
- Johann Nepomuk David | Drei Saetze: 3. Das Rad
- Siegfried Thiele | Wo, wo ist Weisheit zu finden
- Franz Liszt | Missa in c Minor (2. Fassung)
- Johann Evangelist Habert | Messe in D, Op. 20
- Franz Schubert | Hymnus an den Heiligen Geist D 964, Op. posth. 154
- Johannes Brahms | Goldne Bruecken
- Johannes Brahms | Postillons Morgenlied
- Albert Lortzing | Du, mit dem Fruehlingsangesichte LoWV 104,1
- Albert Lortzing | Walzerlied LoWV 104,2
- Franz Schubert | Der Entfernten D 331
- Franz Schubert | Liebe D 983a 17, No. 2
- Franz Schubert | Zum Rundetanz D 983b 17, No. 3
- Franz Schubert | La pastorella al prato D 513
- Felix | Der frohe Wandersmann MWV G 34 (75, No. 1)
- Felix | Wanderlied MWV G 28 50, No. 6
- Franz Schubert | An den Fruehling D 338
- Franz Schubert | Fruehlingsgesang D 709
- Franz Schubert | Mailied D 129
- Franz Schubert | Lied im Freien D 572
- Felix | Sommerlied MWV G 19 50, No. 3
- Robert Schumann | Zigeunerleben 29, No. 3
- Franz Schubert | Das Doerfchen D 641 11, No. 1
- Franz Schubert | Im Gegenwaertigen Vergangenes D 710
- Felix | Wasserfahrt MWV G 17 50, No. 4
- Jean Sibelius | Kahnfahrt 18, No. 3
- Franz Schubert | Dessen Fahne Donnerstuerme wallte D 58
- Franz Schubert | Gesang der Geister über den Wassern D 538
- Robert Schumann | Jagdlieder, Op. 137: 1. Zur hohen Jagd
- Robert Schumann | Jagdlieder, Op. 137: 2. Habet acht!
- Robert Schumann | Jagdlieder, Op. 137: 3. Jagdmorgen
- Robert Schumann | Jagdlieder, Op. 137: 4. Fruehe
- Robert Schumann | Jagdlieder, Op. 137: 5. Bei der Flasche
- Felix | Der Jaeger Abschied MWV G 27 50, No. 2
- Franz Schubert | Trinklied D 148, Op. posth. 131,2
- Felix | Tuerkisches Schenkenlied MWV G 23 50, No. 1
- Franz Schubert | Punschlied D 277
- Franz Schubert | Trinklied im Mai D 427
- Felix | Trinklied aus dem Divan MWV G 15 (75, No. 3)
- Franz Schubert | Wein and Liebe D 901
- Felix | Liebe and Wein MWV G 26 50, No. 5
- Franz Schubert | Trinklied aus dem 16. Jahrhundert D 847, Op. posth. 155
- Othmar Schoeck | Auf dem Rhein 30, No. 12
- Albert Lortzing | Des Hauptmanns Wunsch LoWV 104,3
- Franz Schubert | Staendchen D 920, Op. posth. 135
- Felix | Abendstaendchen MWV G 24 (75, No. 2)
- Franz Schubert | Nachtmusik D 848, Op. posth. 156
- Franz Schubert | Die Nacht D 983c 17, No. 4
- Franz Schubert | Der Gondelfahrer D 809, Op. 28
- Franz Schubert | Nachthelle D 892, Op. posth. 134
- Jean Sibelius | Gruß an den Mond 18, No. 2
- Franz Schubert | Mondenschein D 875, Op. 102
- Franz Schubert | Grab and Mond D 893
- Franz Schubert | Der Geistertanz D 494
- Franz Schubert | Geisterchor (aus/from 'Rosamunde' D 797)
- Franz Liszt | Ueber allen Gipfeln ist Ruh
- Franz Schubert | Nachtgesang im Walde D 913, Op. posth. 139
- Franz Schubert | Wehmut D 825 64, No. 1
- Franz Schubert | Sehnsucht D 656
- Jean Sibelius | Lied meines Herzens 18, No. 6
- Jean Sibelius | Hymne 'Natus in curas homo' 21, No. 2
- Jean Sibelius | Festliche Hymne (aus/from 'Finlandia', Op. 26)
- Jean Sibelius | Be still, my soul (aus/from 'Finlandia', Op. 26)
- Fanny Hensel | Lass fahren hin
- Felix | Abschiedstafel MWV G 33 (75, No. 4)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Choir Library for Men's Choir
