Huber: Presente
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- Composer: Nicolaus Huber (1939-)
- Instrumentation: Trombone
- Work: Presente
- ISMN:
- Size: 16.5 x 11.7 inches
- Pages: 12
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Description
World premiere: Darmstadt, March 29, 1980
Presente is a "rhythm" composition for trombone. Its intention is to proceed from musical "generalities" (such as fanfare rhythm, jazz flourish and "melody"), nonetheless respecting them so to say in their proportions. The fanfare rhythm at the beginning of the piece is determinant for the structure of the whole composition: 4 touches are disposed in the proportion of 3 to 1 within a total duration of 4 quarters (1 quarter = 1 crotchet): 3 quarters = 1 touch / 1 quarter = 3 touches. Thus the duration of the tones and the number of touches are exchanged crosswisely. in all structures – each of which consisting of 4 links in conformity with the main rhythm – the 4th link is striking and pressing forward, just as the triplet on the 4th beat.
Among the 4 formal parts characterized as "Fanfare", "Jazzfloskel" (jazz flourish), "Melodie" and "Lied" (song), the "Lied" (an anti-Fascist song, which was created in 1933 in the concentration camp of Börgermoor and is entitled "Moorsoldatenlied") represents an exception: the musical "generalities" incorporate a thing that concerns the general public. The final tone of the "Lied" is blown out towards all four cardinal points.
Nicolaus A. Huber (Translation: Roger Clément)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
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In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Huber: Presente
