Krebs: Complete Organ Works - Volume 3 (Chorale settings)
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- Composer: Johann Ludwig Krebs (1713-1780)
- Editor: Gerhard Weinberger
- Instrumentation: Organ
- ISMN:
- Size: 12.0 x 9.1 inches
- Pages: 192
- Urtext / Critical Edition
Description
- Ach Gott, erhör mein seufzen
- Ach Herr mich armen Sünder
- Freu dich sehr, o meine Seele (Fantasia)
- Freu dich sehr, o meine Seele
- Herr Gott, dich loben alle wir
- Herr, ich habe mißgehandelt
- Herr Jesu Christ, dich zu uns wend (Fantasia)
- Herr Jesu Christ, du höchstes Gut
- Herzlich lieb hab ich dich, o Herr
- Ich ruf zu dir, Herr Jesu Christ
- Jesu, der du meine Seele
- Jesu, meines Lebens Leben
- Jesus, meine Zuversicht (Fantasia)
- Meinen Jesum laß ich nicht
- Mein Gott, das Herze bring ich dir (Trio)
- Mitten wir im Leben sind
- Nun freut euch, lieben Christen gmein
- O Ewigkeit, du Donnerwort
- O Gott, du frommer Gott
- O König, dessen Majestät
- Vom Himmel hoch, da komm ich her
- Von Gott will ich nicht lassen
- Warum betrübst du dich, mein Herz
- Warum sollt ich mich denn grämen (Fantasia)
- Was Gott tut, das ist wohlgetan
- Wenn mein Stündlein vorhanden ist
- Wer nur den lieben Gott läßt walten (Fantasia)
- Wie schön leuchtet der Morgenstern
- Wir glauben all an einen Gott
- Wo soll ich fliehen hin
- Zeuch ein zu deinen Toren
- Anh. A (Incerta) Ach Herr mich armen Sünder
- Anh. A (Incerta) Auf meinen lieben Gott
- Anh. A (Incerta) Heut triumphieret Gottes Sohn
- Anh. A (Incerta) Jesu, meine Freude
- Anh. A (Incerta) Jesu, meines Lebens Leben
- Anh. A (Incerta) Wir glauben alle an einen Gott
- Anh. B (Varianten) Freu dich sehr, o meine Seele
- Anh. B (Varianten) Ich ruf zu dir, Herr Jesu Christ
- Anh. B (Varianten) Warum sollt ich mich denn grämen (Fantasia)
- Anh. B (Varianten) Wir glauben all an einen Gott 42 Anh. B (Varianten) Wir glauben all an einen Gott
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.