OperAria Soprano - Volume 3 - Dramatic – Coloratura
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- Composers: Arrigo Boito (1842-1914), Wolfgang Amadeus Mozart (1756-1791), Johann Strauss II (1825-1899), Otto Nicolai (1810-1849), Giuseppe Verdi (1813-1901), Gaetano Donizetti (1797-1848), Vincenzo Bellini (1801-1835)
- Editors: Peter Anton Ling, Marina Sandel
- Format: Vocal Score
- Instrumentation (this edition): Piano Reduction, Soprano
- Originally for: Opera
- Work Languages: English, German, Italian
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 168
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Description
OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance). Includes comments on the arias, information on the composer, the librettist, the work, the range and of versions or casting, a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot, and an evaluation from the singer's point of view.
"Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres." (Peter Anton Ling and Marina Sandel, editors)
Works:
- Tutte nel cor vi sento from Mozart: Idomeneo, K. 366
- D’Oreste, d’Aiace from Mozart: Idomeneo, K. 366
- Ach ich liebte, war so glücklich! from Mozart: Die Entführung aus dem Serail (The Abduction from the Seraglio), K. 384
- Martern aller Arten from Mozart: Die Entführung aus dem Serail (The Abduction from the Seraglio), K. 384
- Ah fuggi il traditor from Mozart: Don Giovanni, K. 527
- In quali eccessi / Mi tradì quell’alma ingrata from Mozart: Don Giovanni, K. 527
- Era già alquanto / Or sai chi l’onore from Mozart: Don Giovanni, K. 527
- Crudele! Ah no, mio bene! / Non mi dir from Mozart: Don Giovanni, K. 527
- Temerari / Come scoglio from Mozart: Così fan tutte, K. 588
- Ei parte … senti! / Per pietà, ben mio from Mozart: Così fan tutte, K. 588
- O zittre nicht from Mozart: Die Zauberflöte (The Magic Flute), K. 620
- Der Hölle Rache kocht in meinem Herzen from Mozart: Die Zauberflöte (The Magic Flute), K. 620
- Deh se piacer mi vuoi from Mozart: La clemenza di Tito, K. 621
- Regnava nel silenzio from Donizetti: Lucia di Lammermoor, A. 46
- Spargi d’amaro pianto from Donizetti: Lucia di Lammermoor, A. 46
- Casta Diva from Bellini: Norma
- Nun eilt herbei from O. Nicolai: Die lustige Weiber von Windsor (The Merry Wives of Windsor)
- Surta è la notte / Ernani, involami Elvira – Ernan from Verdi: Ernani
- Mercè, dilette amiche from Verdi: I vespri siciliani
- Un’altra notte / Tacea la notte placida / Di tale from Verdi: Il Trovatore
- Timor di me? / D’amor sull’ali rosee from Verdi: Il Trovatore
- È strano / Ah fors’è lui / Follie! / Sempre libera from Verdi: La Traviata
- Klänge der Heimat from J. Strauss II: Die Fledermaus
- L’altra notte in fondo al mare from Boito: Mefistofele
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.