Mozart: Complete Concert Arias for Tenor
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- Composer: Wolfgang Amadeus Mozart (1756-1791)
- Editor: Franz Beyer (1922-2018)
- Cadenzas: Cristoph Prégardien
- Instrumentation (this edition): Piano Reduction, Tenor
- Originally for: Orchestra, Tenor
- Work Languages: German, Italian
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 112
- Urtext / Critical Edition
Description
The edition by Franz Beyer contains all 11 Mozart Concert Arias for Tenor, including the fragments that have been completed. All the well-known arias from Mozarts Viennese years are there, of course, as well as other pieces waiting to be discovered. "Müsst ich auch durch tausend Drachen", K. 435, which has come down to us only in fragmentary form, was masterfully completed by Franz Beyer. Every lyrical tenor will be delighted by this concert piece, which is one of Mozart's most splendid tenor arias and can hold its own against Pedrillos "Auf zum Kampfe." Very valuable for performance practice are the cadenzas and Eingänge provided by the internationally acclaimed Mozart singer Christoph Prégardien.
Franz Beyer's edition, which incorporates the cadenzas and "Eingänge" (ornamental flourishes) that Christoph Prégardien has already performed in concert, provides extensive information on the performance practice of Mozart's vocal music (including appoggiaturas, recitatives, cadenzas/flourishes, dynamics) and supplies an individual commentary on the contents and historical position of each aria. Moreover, the volume contains a list of instructional methods from Mozart's day (with indications of facsimile reprints or English-language translations) as well as German and English translations of the predominantly Italian aria texts.
Works:
- Va, dal furor portata, K. 21 (19c)
- Or che il dover - Tali e cotanti sono, K. 36 (33i)
- Si mostra la sorte, K. 209
- Con ossequio, con rispetto, K. 210
- Clarice cara mia sposa, K. 256
- Se al labbro mio non credi, K. 295
- Per pietà, non ricercate, K. 420
- Misero! O sogno - Aura, che intorno spiri, K. 431 (425b)
- Müsst ich auch durch tausend Drachen, K. 435 (416b)
- Dove mai trovar quel ciglio?, aus, K. 430 (424a)
- Non temer, amato bene, aus, K. 490
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.