Keune: Percussion Instruments
A Method of Instruction
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- Composer: Eckehardt Keune
- Instrumentation: Percussion
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 152
Description
Percussion instruments have of late become an important factor in music. in pursuit of fresh possibilities of sonority and expression the potential range of traditional percussion instruments has been noticeably extended, while elements from the most various of music cultures have infiltrated-and still do so-contemporary music practice to a marked degree.
The number and the forms of individual percussion instruments have consequently grown to an almost inexhaustible multiplicity. in this way the percussionist is ever faced with more and more demanding problems: the development of the percussion section, which can almost be an independent and self-contained tonal unit in the modern orchestra, requires from every instrumentalist versatility and matured skills. in the projected four volume Method of Instruction for percussion it is our aim to establish a solid technical foundation related to all the significant and difficult rhythmic and tone-colour elements of modern music, and also-for the less experienced player-as comprehensive knowledge as possible of the rieb variety of instruments at his disposal.
The Side Drum always occupies a predominant place within the percussion family and it is one of the most important instruments for the training of the percussion player. The study of drum technique, therefore, should be so thoroughly attended to that it will provide a good basis for the study of percussion instruments as a whole. lt is hoped that this book concerning the Side Drum, since it offers material for practice both broad in scope and also detailed, may support efforts to this end. Whether, from time to time, exercises should be omitted or expanded is a matter for actual instruction and for the selective discretion of the teacher in immediate contact with the pupil. Eckehardt Keune, Halle (Saale), New Year 1974
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.