Mendelssohn: Works for Cello & Piano
Leipzig Edition: Series III - Volume 7
Expected to ship in 1-2 weeks.
- Composer: Felix Mendelssohn (1809-1847)
- Editor: Birgit Müller
- Format: Full Score – Hardcover
- Binding: Hardcover
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 304
- Urtext / Critical Edition
Description
Felix's extensive chamber music œuvre includes six compositions for cello and piano, which, together with the corresponding sketches, drafts and versions form the content of this volume. Mendelssohn composed the two large-scale sonatas in B-flat Major, Op. 45 MWV Q 27 and D Major, Op. 58 MWV Q 32, two variation works in F Major MWV Q 19 and A Major MWV Q 21, an album leaf MWV Q 25 and a further one-movement piece entitled Romance sans paroles MWV Q 34. A special feature is the only partially preserved variation work MWV Q 21, which was written as a joint work with another composer and is presented here in its fragmentary form. The two sonatas in B-flat Major and D Major are the central and most important pieces in the edition and are among the most important representatives of their genre in the 19th century. Composed between 1838 and 1843, they belong to the composer's most creative period. It is remarkable that Mendelssohn had both sonatas published, while the Majority of his duo sonatas for various instruments and piano remained unpublished. The autograph manuscripts of both sonatas are considered lost, so the first editions authorized by Mendelssohn serve as the basis for this edition.
| 1. Variations concertantes, Op. 17 MWV Q 19 | (9') | 2. Sonata in B-flat Major, Op. 45 MWV Q 27 | (24') | 3. Sonata, Op. 58 MWV Q 32 | (25') | 4. Romance sans paroles, Op. 109 MWV Q 34 | (5') | 5. Variations (Collaboration with Joseph Merk) MWV Q 21 | (13') | 6. Assai tranquillo MWV Q 25 | (2')
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Mendelssohn: Works for Cello & Piano
