OperAria Baritone - Volume 1
Lyric
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- Editor: Peter Anton Ling
- Format: Vocal Score
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 144
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Description
OperAria is the ideal "vocal coach" for all voice types. The books address all singers and are conceived above all for training and auditions. in addition, through their careful selection, they offer valuable inspiration for opera recitals.
Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias.
- information on the composer, the librettist, the work,the range and of versions or casting
- a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot
- an evaluation from the singer's point of view
It also features a CD: - with a "phonetic assistant" – aria texts in the original language spoken by native speakers as an audio file (mp3) - with aria texts in German and English translations as a text file (pdf)
- Christoph Willibald Gluck: Je t'ai donné la mort / Dieux! qui me poursuivez (Oreste – Iphigénie en Tauride)
- Wolfgang Amadeus Mozart: Nur mutig, mein Herze (Allazim – Zaide)
- Wolfgang Amadeus Mozart: Hai gia vinta la causa / Vedrò mentre io sospiro (Il Conte Almaviva – Le nozze di Figaro)
- Wolfgang Amadeus Mozart: Rivolgete a lui lo sguardo (Guglielmo – Così fan tutte)
- Wolfgang Amadeus Mozart: Fin ch' han dal vino (Don Giovanni – Don Giovanni)
- Wolfgang Amadeus Mozart: Deh vieni alla finestra (Don Giovanni – Don Giovanni)
- Wolfgang Amadeus Mozart: Ein Mädchen oder Weibchen (Papageno – Die Zauberflöte)
- Conradin Kreutzer: Ein Schütz' bin ich (Jäger – Das Nachtlager in Granada)
- Gioachino Rossini: Largo al factotum (Figaro – Il barbiere di Siviglia)
- Gioachino Rossini: Sois immobile (Tell – Guillaume Tell)
- Gaetano Donizetti: Bella siccome un angelo (Dottor Malatesta – Don Pasquale)
- Albert Lortzing: Sonst spielt' ich mit Zepter, mit Krone and Stern (Zar Peter – Zar and Zimmermann)
- Albert Lortzing: Nicht Reichtum macht das Leben schön (Hans Sachs – Hans Sachs)
- Albert Lortzing: Wie freundlich strahlt/Heiterkeit and Fröhlichkeit (Graf von Eberbach – Der Wildschütz)
- Ambroise Thomas: Ô vin, dissipe la tristesse (Hamlet – Hamlet)
- Richard Wagner: Blick' ich umher (Wolfram von Eschenbach – Tannhäuser)
- Richard Wagner: Wie Todesahnung / O du mein holder Abendstern (Wolfram von Eschenbach – Tannhäuser)
- Charles Gounod: Ô sainte médaille / Avant de quitter ces lieux (Valentin – Faust)
- Charles Gounod: Mab, la reine des mensonges (Mercutio – Roméo et Juliette)
- Camille Saint-Saëns: Qui donc commande (Henry – Henry VIII)
- Georges Bizet: L'orage s'est calmé / Ô Nadir (Zurga – Les pêcheurs de perles)
- Pyotr Ilyich Tchaikovsky: Ja vas ljublju (Jeletzki – Pique Dame)
- Jules Massenet: Aux troupes du Sultan / Promesse de mon avenir (Scindia – Le Roi de Lahore)
- Ruggero Leoncavallo: E fra quest'ansie / Decidi il mio destin (Silvio – I Pagliacci)
- Giacomo Puccini: Questo amor, vergogna mia (Frank – Edgar)
- Richard Strauss: Lieben, Hassen, Hoffen, Zagen (Harlekin – Ariadne auf Naxos)
- Erich Wolfgang Korngold: Mein Sehnen, mein Wähnen (Fritz – Die tote Stadt)
- Viktor Ullmann: Von allem, was geschieht (Der Kaiser – Der Kaiser von Atlantis)
- Benjamin Britten: Look! Through the port comes the moonshine astray! (Billy Budd – Billy Budd)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
OperAria Baritone - Volume 1
