OperAria Bass - Volume 3 - Dramatic

SKU: EB8882

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  • Composers: Modest Mussorgsky, Mikhail Glinka, Giuseppe Verdi, Alexander Borodin, Giacomo Meyerbeer, Richard Wagner, Pyotr Ilyich Tchaikovsky, Amilcare Ponchielli, Nikolai Rimsky-Korsakov
  • Editor: Peter Anton Ling
  • Format: Vocal Score
  • Instrumentation (this edition): Piano Reduction, Bass
  • Originally for: Opera
  • Work Languages: German, Italian, Russian
  • ISMN: 9790004184721
  • Size: 9.1 x 12.0 inches
  • Pages: 144


The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause.

"It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre." (Peter Anton Ling)

OperAria is the ideal "vocal coach" for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. in addition, through their careful selection, they offer valuable inspiration for opera recitals.

OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance). Includes comments on the arias, information on the composer, the librettist, the work, the range and of versions or casting, a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot, and an evaluation from the singer's point of view.


  • Meyerbeer: Voici donc les débris / Nonnes qui reposez from Robert le diable
  • Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff from Les Huguenots
  • Glinka: Čujut pravdu! / Ty prijdëš’ moja zarja! from A Life for the Tsar (Жизнь за царя)
  • Wagner: Gar viel und schön from Tannhäuser, WWV 70
  • Wagner: Gott grüß euch from Lohengrin, WWV 75
  • Wagner: Mein Herr und Gott from Lohengrin, WWV 75
  • Wagner: Hoiho! Hoiho hoho! from Götterdämmerung, WWV 86D
  • Wagner: Tatest du’s wirklich from Tristan and Isolde, WWV 90
  • Wagner: Titurel, der fromme Held from Parsifal, WWV 111
  • Verdi: Vieni, o Levita! / Tu sul labbro de’ veggenti from Nabucco
  • Verdi: E ancor silenzio! / Ma quando un suon terribile from I Lombardi
  • Verdi: Che mai vegg’io! / Infelice! e tuo credevi from Ernani
  • Verdi: Mentre gonfiarsi l’anima from Attila
  • Verdi: Vous priez / Oh! dans l’ombre from Jérusalem
  • Verdi: Grâce, mon Dieu! / À ce front pâle from Jérusalem
  • Verdi: Ah! tutto m’arride / Il mio sangue from Luisa Miller
  • Verdi: O patria / O tu, Palermo from I vespri siciliani
  • Verdi: A te l’estremo addio / Il lacerato spirito from Simon Boccanegra
  • Borodin: Zdorov li, knjaz’? from Prince Igor
  • Ponchielli: Sì, morir ella de’! from La Gioconda
  • Mussorgsky: Eščë odno poslednee skazan’e from Boris Godunov (Борис Годунов), Op. 9
  • Tchaikovsky: Čto skažet on? / Gospod’ moj, esli grešen ja from Iolanta (Иоланта), ČW 11, Op. 69
  • Rimsky-Korsakov: O skaly groznye drobjatsja from Sadko (Садко)
  • Rimsky-Korsakov: Zabylasja / Ne dumal from The Tsar's Bride (Царская невеста)

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