Not finding what you're looking for? Just call us at +1 267 313 6309

Johann Strauss II

OperAria Mezzo-soprano - Volume 1 - Lyric

$40.95
Shipping calculated at checkout.

In stock and typically ships within 1 business day.

Breitkopf & Härtel  |  SKU: EB8871  |  Barcode: 9790004184615
  • Composers: Johann Strauss II (1825-1899), Wolfgang Amadeus Mozart (1756-1791), Richard Strauss (1864-1949), Ambroise Thomas (1811-1896), Giacomo Meyerbeer (1791-1864), Gioachino Rossini (1792-1862), Charles Gounod (1818-1893), Gaetano Donizetti (1797-1848), Pietro Mascagni (1863-1945), Jules Massenet (1842-1912), Jacques Offenbach (1819-1880), Vincenzo Bellini (1801-1835)
  • Editors: Peter Anton Ling, Marina Sandel
  • Format: Vocal Score
  • Instrumentation (this edition): Piano Reduction, Mezzo Soprano
  • Originally for: Opera
  • Work Languages: French, German, Italian
  • ISMN: 9790004184615
  • Size: 9.1 x 12.0 inches
  • Pages: 132

Listen on Soundcloud

Description

Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!

OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance). Includes comments on the arias, information on the composer, the librettist, the work, the range and of versions or casting, a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot, and an evaluation from the singer's point of view.

"Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres." (Peter Anton Ling and Marina Sandel, editors)

Works:

  • Mozart: Non so più cosa son, cosa faccio from Le nozze di Figaro (The Marriage of Figaro), K. 492
  • Mozart: Voi che sapete from Le nozze di Figaro (The Marriage of Figaro), K. 492
  • Mozart: Ah scostati / Smanie implacabili from Così fan tutte, K. 588
  • Meyerbeer: Nobles seigneurs, salut! from Les Huguenots
  • Rossini: Una voce poco fa from The Barber of Seville (Il barbiere di Siviglia)
  • Rossini: Nacqui all’affanno / Non più mesta from La Cenerentola (Cinderella)
  • Rossini: O patria! / Di tanti palpiti from Tancredi
  • Donizetti: È sgombro il loco / Un bacio ancora from Anna Bolena, A. 30
  • Bellini: Ascolta! Se Romeo t’uccise un figlio from I Capuleti e i Montecchi
  • Bellini: Dopo l’oscuro nembo from Adelson e Salvini
  • A. Thomas: Connais-tu le pays from Mignon
  • A. Thomas: C’est moi / Me voici dans son boudoir from Mignon
  • Gounod: Faites-lui mes aveux from Faust, CG 4
  • Offenbach: Vois sous l’archet frémissant from Les contes d'Hoffmann (The Tales of Hoffmann)
  • Offenbach: Vous aimez le danger / Ah! que j’aime les militair from La Grande-Duchesse de Gérolstein
  • J. Strauss II: Ich lade gern mir Gäste ein from Die Fledermaus
  • Mozart: Parto, ma tu ben mio from La clemenza di Tito, K. 621
  • Mozart: Deh per questo istante solo from La clemenza di Tito, K. 621
  • Massenet: Werther! Werther! from Werther
  • Massenet: Va! laisse couler mes larmes from Werther
  • Mascagni: Buon giorno, Fritz! / O pallida from L'amico Fritz
  • Strauss: Wie du warst! from Der Rosenkavalier, TrV 227, Op. 59
  • Strauss: Sein wir wieder gut from Ariadne auf Naxos, TrV 228, Op. 60
Breitkopf & Härtel

OperAria Mezzo-soprano - Volume 1 - Lyric

$40.95

Listen on Soundcloud

Description

Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!

OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance). Includes comments on the arias, information on the composer, the librettist, the work, the range and of versions or casting, a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot, and an evaluation from the singer's point of view.

"Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres." (Peter Anton Ling and Marina Sandel, editors)

Works:

  • Mozart: Non so più cosa son, cosa faccio from Le nozze di Figaro (The Marriage of Figaro), K. 492
  • Mozart: Voi che sapete from Le nozze di Figaro (The Marriage of Figaro), K. 492
  • Mozart: Ah scostati / Smanie implacabili from Così fan tutte, K. 588
  • Meyerbeer: Nobles seigneurs, salut! from Les Huguenots
  • Rossini: Una voce poco fa from The Barber of Seville (Il barbiere di Siviglia)
  • Rossini: Nacqui all’affanno / Non più mesta from La Cenerentola (Cinderella)
  • Rossini: O patria! / Di tanti palpiti from Tancredi
  • Donizetti: È sgombro il loco / Un bacio ancora from Anna Bolena, A. 30
  • Bellini: Ascolta! Se Romeo t’uccise un figlio from I Capuleti e i Montecchi
  • Bellini: Dopo l’oscuro nembo from Adelson e Salvini
  • A. Thomas: Connais-tu le pays from Mignon
  • A. Thomas: C’est moi / Me voici dans son boudoir from Mignon
  • Gounod: Faites-lui mes aveux from Faust, CG 4
  • Offenbach: Vois sous l’archet frémissant from Les contes d'Hoffmann (The Tales of Hoffmann)
  • Offenbach: Vous aimez le danger / Ah! que j’aime les militair from La Grande-Duchesse de Gérolstein
  • J. Strauss II: Ich lade gern mir Gäste ein from Die Fledermaus
  • Mozart: Parto, ma tu ben mio from La clemenza di Tito, K. 621
  • Mozart: Deh per questo istante solo from La clemenza di Tito, K. 621
  • Massenet: Werther! Werther! from Werther
  • Massenet: Va! laisse couler mes larmes from Werther
  • Mascagni: Buon giorno, Fritz! / O pallida from L'amico Fritz
  • Strauss: Wie du warst! from Der Rosenkavalier, TrV 227, Op. 59
  • Strauss: Sein wir wieder gut from Ariadne auf Naxos, TrV 228, Op. 60
View product